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The following are a few satirical poems by Irish poet Thomas Moore on the subject of the Bullionist Controversy, Public Debt, the Corn Laws and other economic subjects of the day. Thomas Moore was one of the more revelrous poets of English Romantic era ss , composer of the orientalist epic poem "Lalla Rookh", translator of the "Odes" of Anacreon, and an early rival and then close friend, executor and biographer of Lord Byron.

Although his stock has fallen somewhat since his day, Johann Wolfgang von Goethe considered him to be one of the three best living poets of that time the other two being Lord Byron and Sir Walter Scott. Thomas Moore was often quite provocative in political matters: for instance, his beautiful "Irish Melodies" are seeped in Irish nationalist lore, and his numerous tweaking satires on all sorts of traditional British mores and institutions, even when characteristically good-humored, still carry a sting.

Unlike his literary brother, Thomas de Quincey , Thomas Moore was not an economist, but wrote several amusing pieces which touched on the economic debates of the day. Most of the poems reproduced here were originally written by Thomas Moore for The Times and published in his book, Cash, Corn and Catholics.

Economic debates in Britain at the time swirled around the Bullionist controversy, the National Debt and the Corn Laws, and Moore touches on many of the same topics that agitated contemporary Classical Ricardian economists. Liverpool's economic guru was Frederick J. Robinson, who was appointed President of the Board of Trade in , and became Chancellor of the Exchequer in Moore refers to the former repeatedly as "Jenky" or "Jenkin" and to the latter as "Freddy" or "Robin".

At issue the proposed resumption of payment in specie i. In , the threat of a French invasion had led to a run on the Bank of England and other banks.

This prompted the government to suspend the requirement that banks to honor their notes on demand with payment in gold. During the remainder of the Napoleonic wars, this suspension continued -- partly because it facilitated government borrowing to pay for the war effort. Writers like Ricardo opposed the continuation of the suspension and argued for resumption of payment in specie.

They charged that, if suspension continued, banks would wildly issue notes far above their store of gold bullion, which would be inflationary. The "Amatory Colloquy" between the Bank and the Government refers to the issue of resumption of payment in specie -- the Bank being outraged at the Government's requirement that payment be made in gold. The Bank notes that the Government itself had benefited from the suspension of payment as it was therefore able to borrow huge amounts from commercial banks.

Coutts was a prominent British bank. The "Dialogue" between the sovereign a gold coin and the banknote is also on this issue. Unbacked during the suspension, the female note feels abandoned by the roaming male gold coin; the male coin, in turns, feels the female note has been "flirtatious" with other precious metals.

There is perhaps one too many puns noted originally in italics by Moore in this poem. We leave it here, as opposed to the section on Public Debt, because of the reference to Bullionism in the end. As noted earlier, Frederick Robinson is the Chancellor of the Exchequer.

Is all then forgotten? When left to ourselves, unmolested and free, To do all that a dashing young couple should do, A law against paying was laid upon me, But none against owing , dear helpmate, on you. And is it then vanish'd?

Even so, my belov'd Mrs. Bank, it must be; This paying in cash plays the devil with wooing; [2] We've both had our swing, but I plainly foresee There must soon be a stop to our bill -ing and cooing.

Propagation in reason - a small child or two -- Even Reverend Malthus himself is a friend to; The issue of some folks is moderate and few -- But ours , my dear corporate Bank, there's no end to! So -- hard though it be on a pair, who've already Dispos'd of so many pounds, shillings and pence; And, in spite of that pink of prosperity Freddy, [3] So lavish of cash and so sparing of sense The day is at hand, my Papyria Venus, [4] When, high as we once used to carry our capers -- These soft billet-doux we're now passing between us, Will serve but to keep Mrs.

Coutts in curl papers. And when -- if we still must continue our love, After all that has pass'd -- our amour, it is clear, Like that which Miss Danae managed with Jove, Must all be transacted in bullion , my dear!

Said a Sov'reign to a Note, In the pocket of my coat, Where they met in a neat purse of leather, "How happens it, I prithee, That though I'm wedded with thee, Fair Pound, we can never live together? Like your sex, fond of change , With silver you can range, And of lots of young sixpences be mother; While with me -- upon my word Not my Lady and my Lord Of W--stm--th see so little of each other!

The indignant Note replied Lying crumpled by his side , "Shame, shame, it is yourself that roam, Sir -- One cannot look askance, But, whip! Your scampering began from the moment Parson Van, Poor man, made us one in Love's fetter; "For better or for worse" Is the usual marriage curse, But ours is all "worse" and no "better. In vain are laws pass'd, There's nothing holds you fast Tho' you know, sweet Sovereign, I adore you -- At the smallest hint in life, Your forsake your lawful wife, As other Sovereigns did before you.

I flirt with Silver, true -- But what can ladies do, When disown'd by their natural protectors? And as to falsehood, stuff! I shall soon be false enough, When I get among those wicked Bank Directors.

The Sovereign, smiling on her, Now swore, upon his honour, To be henceforth domestic and loyal; But, within an hour or two, Why -- I sold him to a Jew, And he's now at No. The Budget - quite charming and witty - no hearing, For plaudits and laughs, the good things that were in it; -- Great comfort to find, though the Speech isn't cheering , That all its gay auditors were , every minute. What, still more prosperity!

Much grave apprehension express'd by the Peers, Lest -- calling to life the old Peachums and Lockitts -- The large stock of gold we're to have in three years, Should all find its way into highwayman's pockets! Little doing - for sacred, oh Wednesday, thou art To the seven-o'-clock joys of full many a table -- When the Members all meet, to make much of that part With which they so rashly fell out in the Fable.

It appear'd, though, to-night, that - as churchwardens, yearly, Eat up a small baby - those cormorant sinners, The Bankrupt-Commissioners bolt very nearly A moderate-siz'd bankrupt, tout chaud , for their dinners! R-b-ns-n just has resign'd" - what a pity! The Bulls and the Bears all fell a sobbing, When they heard of the fate of poor Cock Robin ; While thus, to the nursery tune, so pretty, A murmuring Stock -dove breath'd her ditty: Who'll make his shroud?

Abercromby's statement of the enormous tavern bills of the Commissioners of Bankrupts. It was revived by William Pitt the Younger in s, to handle the increasing public debt after the American war, and subsequently the French Revolutionary Wars. Joseph Hume was a radical MP who, among other things, promoted the setting up of savings banks. Henry Brougham was the founder of the influential Whig journal, Edinburgh Review and a prominent liberal politician. Moore clearly thinks the government debt is bad, and so plays on the "all-in-the-family" argument, made by British Tory politician, Sir Robert Peel.

The "Enigma" is not too difficult to figure out: the riddler is the public debt, of course. The "Premier" refers to Arthur Wellesely Duke of Wellington , the war hero who defeated Napoleon at the Battle of Waterloo in , led the conservative Tory faction in parliament and later succeeded Liverpool as Prime Minister in The country is essentially run on debt on the promise of Periwinkle revenue - but when the books are laid open, not only is there little revenue, but the Locusts i.

Moore's note on the expensive feeding of the Locusts refers to the Corn Laws - which are more extensively discussed below. The Laird of Salmagundi is, of course, Wellesley. His later "Translation from the Gull Language" describes how the public debt prevented English military intervention abroad probably in reference to Greece, who had recently been struggling in their war of independence against the Ottoman Turks.

Where, indeed, is the Sinking Fund itself? O yes! Can anybody guess What the deuce has become of this Treasury wonder? It has Pitt's name on't, All brass, in the front, And R--b--ns--n's scrawl'd with a goose-quill under. Folks well knew what Would soon be its lot, When Frederick or Jenky set hobnobbing, [1] And said to each other, "Suppose, dear brother, We make this funny old Fund worth robbing. We are come, alas! To a very pretty pass -- Eight Hundred Millions of score, to pay, With but Five in the till, To discharge the bill, And even that Five too, whipp'd away!

Stop thief! Whoever will bring This aforesaid thing To the well-known house of Robinson and Jenkin, Shall be paid, with thanks, In the notes of banks, Whose Funds have all learn'd "the Art of Sinking.

Can any body guess What the devil has become of the Treasury wonder? It has Pitt's name on 't, All brass, in the front, And R--b--ns--n's, scrawl'd with a goose-quill under.

My banks are all furnished with rags, So thick, even Freddy can't thin 'em; I've torn up my old money-bags, Having little or nought to put in 'em. My tradesman are smashing by dozens, But this is all nothing, they say; For bankrupts, since Adam, are cousins, So, it's all in the family way. Since all have thus taken to owing , There's nobody left that can pay ; And this is the way to keep going, -- All quite in the family way.

My senators vote away millions, To put in Prosperity's budget; And though it were billions or trillions, The generous rogues wouldn't grudge it. My labourers used to eat mutton, As any great man of the State does; And now the poor devils are put on Small rations of tea and potatoes. My rich manufacturers tumble, My poor ones have nothing to chew; And, even if themselves do not grumble, Their stomachs undoubtedly do.

But coolly to fast en famille , Is as good for the soul as to pray; And famine itself is genteel, When one starves in a family way. I have found out a secret for Freddy, A secret for next Budget day; Though, perhaps he may know it already, As he, too, 's a sage in his way.

When next for the Treasury scene he Announces "the Devil to pay", Let him write on the bills, " Nota bene , 'Tis all in the family way. Come riddle-me-ree, come riddle-me-ree, And tell me, what my name may be.

I am nearly one hundred and thirty years old, And therefore no chicken, as you may suppose; -- Though a dwarf in my youth as my nurses have told , I have, ev'ry year since, been outgrowing my clothes; Till, at last, such a corpulent giant I stand, That if folks were to furnish me now with a suit, It would take ev'ry morsel of scrip in the land But to measure my bulk from the head to the foot.

Hence, they who maintain me, grown sick of my stature, To cover me nothing but rags will supply; And the doctors declare that, in due course of nature, About the year 30 in rags I shall die.

Meanwhile I stalk hungry and bloated around, An object of int'rest , most painful, to all; In the warehouse, the cottage, the palace I'm found, Holding citizen, peasant, and king in my thrall. Then riddle-me-ree, oh riddle-me-ree, Come, tell me what my name may be. When the lord of the counting-house bends o'er his book, Bright pictures of profit delighting to draw, O'er his shoulders with large cipher eye-balls I look, And down drops the pen from his paralyz'd paw!

When the Premier lies dreaming of dear Waterloo, And expects through another to caper and prank it, You'd laugh did you see, when I bellow out "Boo! When mighty Belshazzar brims high in the hall His cup, full of gout, to Gaul's overthrow, Lo, " Eight Hundred Millions " I write on the wall, And the cup falls to earth and -- the gout to his toe! But the joy of my heart is when largely I cram My maw with the fruits of the Squirearchy's acres, And, knowing who made me the thing that I am, Like the monster of Frankenstein, worry my makers.

Then riddle-me-ree, come, riddle-me-ree, And tell, if thou knows't, who I may be. The Salmagundians once were rich, Or thought they were -- no matter which -- For every year, the Revenue [1] From their Periwinkles larger grew; And their rulers, skill'd in all the trick And legerdemain of arithmetic, Knew how to place 1, 2, 3, 4 5, 6, 7, 8, and 9 and 10, Such various ways, behind, before, That they made a unit seem a score, And prov'd themselves most wealthy men!

So, on they went, a prosperous crew, The people wise, the ruler clever -- And God help those, like me and you, Who dar'd to doubt as some now do That the Periwinkle Revenue Would thus go flourishing on for ever.

But folks at length began to doubt What all this conjuring was about; For, every day, more deep in debt They saw their wealthy rulers get: -- "Let's look said they the items through, And see if what we're told be true Of our Periwinkle Revenue. These Locusts are a lordly breed Some Salmagundians love to feed. Of all the beasts that ever were born, Your Locust most delights in corn ; And though his body be but small, To fatten him takes the devil and all!

Some thought them Hebrew, -- such as Jews, More skill'd in Scrip than Scripture use; While some surmis'd 'twas an ancient way Of keeping accounts, well known in the day Of the fam'd Didlerius Jeremias, Who had thereto a wonderful bias, And prov'd in books most learnedly boring, 'Twas called the Pon tick way of scoring.

Howe'er this be, there never were yet Seven letters of the alphabet, That, 'twixt them form'd so grim a spell, Or scar'd a Land of Gulls so well, As did this awful riddle-me-ree Of T.

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