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Hip hop production is the creation of hip hop music in a recording studio. While the term encompasses all aspects of hip hop music creation, including recording the rapping of an MC , a turntablist or DJ providing a beat, playing samples and " scratching " using record players and the creation of a rhythmic backing track, using a drum machine or sequencer , it is most commonly used to refer to recording the instrumental, non-lyrical and non-vocal aspects of hip hop.

Hip hop producers may be credited as the record producer or songwriter; they may also supervise recording sessions. Hip hop instrumentals are colloquially referred to as beats or musical compositions, while the composer is called either a programmer, songwriter or beat maker.

In the studio, the hip hop producer often functions as both the composer and as a traditional record producer. They are sometimes called Orchestrators, P.

Diddy is an example of one, and they are ultimately responsible for the final sound of a recording and providing guidance to the artists and performers.

As well as advising the audio engineer on the selection of everything from microphones and effects processors to how to mix vocal and instrumental levels. Hip-hop, the dominant turn-of-the-century pop form, gives the most electrifying demonstration of technology's empowering effect [ But music was made all the same: the phonograph itself became an instrument.

In the South Bronx in the s, DJs like Kool Herc , Afrika Bambaataa , and Grandmaster Flash used turntables to create a hurtling collage of effects— loops , breaks , beats , scratches. Later, studio-bound DJs and beat maker's used digital sampling to assemble some of the most densely packed sonic assemblages in musical history: Eric B. Dre 's The Chronic. The Roland TR drum machine was introduced in , and consisted on an analog machine with step programming method.

The was heavily used by Afrika Bambaataa , who released " Planet Rock " in , in addition to the electro hip hip groundbreaking classic " Nunk " by Warp 9 , produced by Lotti Golden and Richard Scher, giving rise to the fledgling Electro genre.

An especially notable artist is the genre's own pioneer Juan Atkins who released what is generally accepted as the first American techno record, "Clear" in later sampled by Missy Elliott. These early electro records laid down the foundations that later Detroit techno artists such as Derrick May built upon. This approach was much like early songs by Bambaataa and the Furious Five.

The E-mu SP came out in , capable of 2. The E-mu SP promptly followed with an expanded recording time of 10 seconds, divided on 4 banks. One of the earliest songs to contain a drum loop or break was " Rhymin and Stealin " by the Beastie Boys , produced by Rick Rubin.

The Akai MPC60 came out in , capable of 12 seconds of sampling time. The Beastie Boys released Paul's Boutique in , an entire album created completely from an eclectic mix of samples, produced by the Dust Brothers using an Emax sampler. Public Enemy 's Bomb Squad revolutionized the sound of hip-hop with dense production styles, combining tens of samples per song, often combining percussion breaks with a drum machine.

Their beats were much more structured than the early more minimal and repetitive beats. These machines combined a sampling drum machine with an onboard MIDI sequencer and became the centerpiece of many hip hop producers' studios.

Dre 's more polished sound in RZA's more gritty sound with low rumbling bass, sharp snare drum sounds and unique sampling style based on Ensoniq sampler. With the release of The Notorious B. In the early s, Roc-a-Fella in-house producer Kanye West made the "chipmunk" technique popular. This had been first used by s electro hip-hop group Newcleus with such songs as "Jam on It".

This technique involves speeding up a vocal sample, and its corresponding instrumental loop, to the point where the vocal sounds high-pitched. The result is a vocal sample that sounds similar to the singing of the popular cartoon singing animals " Alvin and the Chipmunks ". West adopted this style from J Dilla and the Wu-Tang Clan 's RZA , who in turn was influenced by Prince Paul , the pioneer of the style of speeding up and looping vocal samples to achieve the "chipmunk" sound.

Kanye West has used the "chipmunk" effect in many of his songs, and has been used in many other artists' music in the s. During the course of the s, many chart-topping hits revolved around music producers using digital audio workstation software for example FL Studio to create songs from sampled sounds. The drum beat is a core element of hip hop production. While some beats are sampled, others are created by drum machines. The most widely used drum machine is the analog Roland TR , which has remained a mainstay for decades.

Others yet are a hybrid of the two techniques, sampled parts of drum machine beats that are arranged in original patterns altogether. Some beat makers and record producers are sound designers that create their own electronic drum kit sounds, such as Dr. Some drum machine sounds, such as the s-era TR cowbell, remain as historical elements of hip hop lore that continue to be used in s-era hip hop.

Hip hop does not simply draw inspiration from a range of samples, but it layers these fragments into an artistic object. If sampling is the first level of hip hop aesthetics, how the pieces or elements fit together constitute the second level.

Hip hop emphasizes and calls attention to its layered nature. The aesthetic code of hip hop does not seek to render invisible the layers of samples, sounds, references, images, and metaphors.

Sampling is using a segment of another's musical recording as part of one's own recording. In hip-hop, the term describes a technique of splicing out or copying sections of other songs and rearranging or reworking these sections into cohesive musical patterns, or "loops. The technique took a bi-coastal turn when discovered by a young Dr.

In , Dre began his use of sampling in hip-hop when he produced the N. A album Straight Outta Compton , a landmark in the genre of gangsta rap. In the s, sampling began to reach an all-time high; Jay-Z 's album The Blueprint helped put producers Kanye West and Just Blaze on the map for their sampling of soul records. On September 7, , however, a U. Court of Appeals in Nashville changed the nature of musical copyright infringement by ruling that a license is needed in every case of sampling, where previously a small portion of the song could be copied without repercussion.

Dre announced he was moving more toward instrumentation, [23] and in The Notorious B. There were often questions of originality and authenticity that followed the use of sampling. RZA [25] and Mos Def. Roland TR drum machine.

E-mu SP sampler. The most widely used turntables in hip hop are Panasonic 's Technics series. They were the first direct-drive turntables , [27] which eliminated belts, and instead employed a motor to directly drive the platter on which a vinyl record rests. The most influential turntable was the Technics SL As they experimented with the SL decks, they developed scratching techniques when they found that the motor would continue to spin at the correct RPM even if the DJ wiggled the record back and forth on the platter.

Synthesizers are used often in hip hop production. They are used for melodies, basslines , as percussive "stabs", for chords and for sound synthesis, to create new sound textures. The use of synthesizers was popularized by Dr. Dre during the G-funk era. Often in low-budget studio environments or recording rooms constrained by space limitations, the composer would use virtual instruments instead of hardware synthesizers.

In the s, virtual instruments are becoming more common in high-budget studio environments. In hip hop, a multi-track recorder is standard for recording. The Portastudio cassette recorder was the law in the in-house recording studios in the s.

DAW's allow for more intricate editing and unlimited track counts, as well as built-in effects. This allows songwriters and composer's to create music without the expense of a large commercial studio. Generally, professional producers opt for a condenser microphone for studio recording, [31] [32] mostly due to their wide-range response and high quality.

A primary alternative to the expensive condenser microphone is the dynamic microphone , used more often in live performances due to its durability.

The major disadvantages of condenser microphones are their expense and fragility. Also, most condenser microphones require phantom power, unlike dynamic microphones. Conversely, the disadvantages of dynamic microphones are they do not generally possess the wide spectrum of condenser microphones and their frequency response is not as uniform.

Many hip-hop producers typically used the Neumann U for recording vocals which imparts a glassy "sheen" especially on female vocals. But today, many producers in this musical genre use the Sony C tube microphone, vintage microphones, and high-end ribbon microphones tuned for flattering, "big" vocal expression.

Many classic hip-hop songs were recorded with the most basic of equipment. In many cases this contributes to its raw sound quality, and charm. DAWs and software sequencers are used in modern hip hop production for the composer as software production products are cheaper, easier to expand, and require less room to run than their hardware counterparts.

The success of these DAWs generated a flood of new semi-professional beatmakers, who license their beats or instrumentals [33] preferably on digital marketplaces [34] to rap artists from all around the world and caused the creation of a new niche market.

Some Beatmakers oppose complete reliance on DAWs and software, citing lower overall quality, lack of effort, and lack of identity in computer-generated beats.

Sequencing software often comes under criticism from purist listeners and traditional producers as producing sounds that are flat, overly clean, overly compressed, and less human because it's all computer-generated.

Live instrumentation is not as widespread in hip hop, but is used by a number of acts and is prominent in hip hop-based fusion genres such as rapcore. Before samplers and synthesizers became prominent parts of hip hop production, early hip hop hits such as " Rapper's Delight " The Sugarhill Gang and "The Breaks" Kurtis Blow were recorded with live studio bands.

During the s, Stetsasonic was a pioneering example of a live hip hop band. In recent years, The Robert Glasper Experiment has explored live instrumentation with an emphasis on the instrumental and improvisational aspect of hip hop with rappers such as Mos Def , Talib Kweli , Q-Tip , and Common as well as neo-soul singer Bilal Oliver.

Throughout history the drum set has taken numerous identities. It is the instrument that makes jazz "swing" and rock 'n' roll "rock. In reality, the drum set is the reason behind the production of these electronic beats, and live drummers contribute to modern day hip-hop much more than what meets the ear.

An example of a drummer recording on a hip-hop record is Kendrick Lamar 's album titled To Pimp A Butterfly which was released in Other hip hop drummers include, [35] [36] [37] [38] [39] [40]. Instrumental hip hop is hip hop music without vocals. Hip hop as a general rule consists of two elements: an instrumental track the "beat" and a vocal track the "rap".

The artist who crafts the beat is the producer or beatmaker , and the one who crafts the rap is the MC emcee. In this format, the rap is almost always the primary focus of the song, providing most of the complexity and variation over a fairly repetitive beat.

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